
Originally Posted by
Bif
HD....
For right now you're going "overboard" in your quest. Use and get used to the "kit" lens while you get familiar with working with the camera. I also have the 55-250mm you were looking at, it's fairly inexpensive and picks up in telephoto where the "kit" lens leaves off.
But I rarely use it. If you're into "long reach" stuff like wildlife it is a fair way to get into that sort of thing.
If you are looking at doing a lot of low light, marginal light work I cast a vote for the EF 28mm f1.8. It does cost but you get a "normal" perspective (the 50mm will have you backing off more than you want in some situations but even with the price increase we just saw it is still an affordable purchase), not wide not telephoto but a good general purpose prime lens for video work.
Should you wind up with the 28mm f1.8 and the 50mm f1.8 you would have the following capabilities: 18mm end of the "kit" lens for wide angle (you can do more than you think with f3.5), the 28mm f1.8 for "normal" in close and good working perspective PLUS the low light capabilty in a lens that won't "cramp" you much for working perspective, and the EF 50mm f1.8 for "portrait" perspective and that in low light, too.
I'd go something like that before spending a "ton" on zooms before you really understand what you're into. Learn using the T3i THOROUGHLY before buying a "boatload" of stuff.
I have that EF 28mm f1.8 and LOVE it. I go to a video project with EF 24mm f2.8, the 28mm, and an EF 50mm in the working bag along with either the "kit" 18-55mm or the EF 17-40mm f4L in case I need a wider angle than the 24mm. I like working with the primes and they give me good clean video.
Good luck,
Bruce Foreman