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Thread: Shotgun Mic Question

  1. #1

    Question Shotgun Mic Question

    Hey, I'm new to the forum and also to filmmaking and I am need to know a little bit about shotgun mics that I'm going to be using in a documentary. How good is a shotgun mic when using it for interviewing, do you have to have it mounted on a moc boom or the camera itself, or can you hold it in your hand when doing the interview. Also whats the "range" on a lets say Rode video mic, can you have the mic mounted on a camera and have the camera 2(6),3(9),4(12) or 5(15) meters(feet) away?

    Thanks in advance

  2. #2
    Legend HueyNRolf's Avatar
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    It will work at those distances but you'll get horrible signal to noise. Best to boom as close as possible, just out of frame.
    The Korova milkbar sold milk-plus, milk plus vellocet or synthemesc or drencrom, which is what we were drinking. This would sharpen you up and make you ready for a bit of the old ultra-violence.

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    Legend Janke's Avatar
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    Contrary to what other people suggest, I've successfully used a shotgun on-camera, provided the talent is no more than 6 ft away. Works better outside (no wall echos) and with a proper wind shield (furry!)

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    Quote Originally Posted by Janke View Post
    I've successfully used a shotgun on-camera(furry!)
    "Successfully" can have various interpretations.

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    Legend HueyNRolf's Avatar
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    Quote Originally Posted by vadis View Post
    Contrary to what other people suggest
    So boompoles are BS? Boom ops are con men?

    I know you're smart enough to understand SnR, Janke. I don't get why you keep insisting that camera mounting a shotgun is good practice, when I know that you know better.
    The Korova milkbar sold milk-plus, milk plus vellocet or synthemesc or drencrom, which is what we were drinking. This would sharpen you up and make you ready for a bit of the old ultra-violence.

  6. #6

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    So how well would it work if I used it as a handheld mic when interviewing people?

  7. #7

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    i've done that in the past, works pretty well, skip to about 1:33



    still, on a boompole or in a stand are the best choices for the more traditional interviews

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    Legend Janke's Avatar
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    Quote Originally Posted by HueyNRolf View Post
    I don't get why you keep insisting that camera mounting a shotgun is good practice, when I know that you know better.
    I never said it was "good practice", but if you shoot alone, run-and-gun documentary style, it's practically impossible to use a boom. Note what I said: "Contrary to what other people suggest, I've successfully used a shotgun on-camera" - that of course applies only to situations where it works. In other instances, where I must, I use lavs.

    Quote Originally Posted by vadis View Post
    "Successfully" can have various interpretations.
    Agreed. In my case, "successfully" means good enough audio to be approved by the broadcaster, not that it couldn't be better...

    Quote Originally Posted by eiker_ir View Post
    on a boompole or in a stand are the best choices for the more traditional interviews
    Agreed. But you don't run around with that stuff! Your video shows one of the more difficult situations, a very noisy environment. A camera-mounted mic would be much worse, there. I tend to shoot in much quieter surroundings...

  9. #9

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    Looks like it would fit my needs perfectly! And since I'll most likely will do alot of run-and-gunning it seems like a very good alternative. So wich shotgun mic would you recommend? I've looked at the Rode mics and they seem very solid.

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