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Thread: Zoom H2 as external mic

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    Default Zoom H2 as external mic

    Anyone had any luck using the Zoom H2 recorder as an external mic? (Send audio signal through H2 line out, feed the signal through the HV20 mic input, with attenuator on.)

    I'm reading that the H2 sound good, and it is very small and light, fitting in a shirt pocket, plus only one unit to carry, trouble is you have to align sound to picture in post (if you only use the H2 as audio recorder).

    But if it works well as an external mic for the HV20, this setup would save you from a lot of tedious manual work, even though the audio quality will suffer somewhat (because of the inherent limitations in the HDV audio spec).

  2. #2

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    I don't care for "wide angle sound" as the main audio, unless the shot is a wide sweeping panoramic. It is great for ambient audio. The Zoom H2 Records in WAV 96kHz/48kHz/44.1kHz at 16-bit or 24-bit which makes it an impressive 'deck'. Perfect for hidden direct lav recordings which are a great alternative to wireless lavs. I've been doing that with a Sony MZ-R37 for years. Sync'ng such audio in post requires a clapboard really.
    I do wonder how it performs as a MicPre as well. Any thoughts on that?

    Quote Originally Posted by tlindaas View Post
    Anyone had any luck using the Zoom H2 recorder as an external mic? (Send audio signal through H2 line out, feed the signal through the HV20 mic input, with attenuator on.)

    I'm reading that the H2 sound good, and it is very small and light, fitting in a shirt pocket, plus only one unit to carry, trouble is you have to align sound to picture in post (if you only use the H2 as audio recorder).

    But if it works well as an external mic for the HV20, this setup would save you from a lot of tedious manual work, even though the audio quality will suffer somewhat (because of the inherent limitations in the HDV audio spec).

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    I do wonder how it performs as a MicPre as well. Any thoughts on that?
    I've heard that the mic pre is good, but only when you are using the internal mics. If you attach external microphones to it, it supposedly sound pretty bad.
    http://www.oreillynet.com/digitalmed...der_detai.html
    (long thread, do a search for "external")

    Review here, with some sample recordings:
    http://digitalmedia.oreilly.com/pub/...er.html?page=1

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    Got my Zoom H2 today (camera returned from repair tomorrow) First impressions are very good. It does what it says on the box. The LCD screen is a bit small but readable.
    Tried my Stereo condenser mic on it. The sound level was lower for the external Mic but the sound quality was good. With the Mic Gain on High, there was a slight "hiss" but it sounded more like ambient noise.
    It works well as a Computer Mic through the USB port but, I noticed that the playback came through the H2 and not the monitor speakers. (Cuts the chance of feedback)
    The next test will be as a Mic for the HV20 - should work OK as the Line Out is controlled by volume buttons on the H2, it will be a matter of setting the H2 volume to give an adequate signal into the HV20. Will report back!

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    The GOOD news is - YES you can use the H2 as a camera mic. I switched both the mic vol on the HV20 and the H2 Line Out vol to zero, switched on the Attenuator and connected up. The volumes were increased and the sound came through beautifully!! Switched OFF the Attenuator and the combination still worked well.
    I do not propose to give any Vol figures for the H2 as this was not a thorough test, it was more of a "does it explode???" sort of test.
    The H2 does work as an external mic.

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    That's great news! Now what would be the smartest way to use this combo? I'm thinking about placing the H2 in a fanny pack, or shoulder bag, far away from the HV20s motor noise.

    (Don't have the opportunity to experiment myself right now, going for a round the world trip soon, will stop in Hong Kong to buy the H2 and some other stuff.)

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    Some interesting comparisons I can think of:

    - HV20 internal mic vs H2 used as external mic

    - H2 used as external mic vs Beachtek/Sound Devices with good mic.

    - H2 used as external mic, trying out both the H2s internal mic option, and the possibility to plug in an external mic into it.


    Any mad scientists out there?
    Last edited by tlindaas; 2007 October 12th at 05:42.

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    The H2 comes with a tapered handle that will fit directly into a Mic holder. So it will sit, at an odd angle, on the HV20 flash shoe. I will keep mine at arms length from the camera.
    I am going to try my monopod as a mic boom, the screw thread on the bottom of the H2 fits a camera tripod mount. (What a good idea) Enjoy Hong Kong.

  9. #9

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    - HV20 internal mic vs H2 used as external mic
    I'm guessing that two things you'll be able to count on are:
    1- if mounted close to the camera The H2 will pick up noise from the HV20.If mounted well away from the camera then it will have much better sound than the HV20 internal can deliver
    2- The H2, even at 90º has a pick-up pattern that is omnidirectional. If that's what you want then it should be a winner. If a shot-gun's focused pick-up pattern is what you seek, it will not give you that

    - H2 used as external mic vs Beachtek/Sound Devices with good mic.
    I like a highly directiona pick up pattern from my mics that are being used to record individual voices, versus a chorus or ambient sound. So for me, the Sennheiser ME66 mounted on a shockmount and running into channel 1 of the beachtek then into the HV20 is a better scenario. I have also found that adding a wired or wirelell Lav from the subject into channel2 of the beachtek is amazing (two channels from one voice, one at a distance and one right-up close) . Obviously this can be expensive.

    - H2 used as external mic, trying out both the H2s internal mic option, and the possibility to plug in an external mic into it.
    My understanding is that there is no Mic-pre in the H2, so gain from dynamic external mic input is non-existent, however powered mics should do fine - especially if you're using the H2 as a recorder, seperate from the HV20 track.

    As an aside, you are all forgetting that an excellent (non recording) powered external stereo mic exists and regularly sells for under $100. The Sony ECM-MS908 especially in a mount away from the body of the HV20 is an excellent value for the money. Prior to using it on the HV20 as the back-up to the larger shotgun rig, I used it for years as an interview mic going into my sony MD player/recorder. Fantastic sound on a budget.
    So basically, the H2 is a wide field and variable field pick up to a high resoltion recording format. Ideal for performance/concerts, whole room conferences and ambient recordings, just like my Sony ECM-MS908. But less than ideal for isolating one voice from the background audio.


    Any mad scientists out there? [/QUOTE]
    Last edited by zephyrnoid; 2007 November 26th at 00:22.

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    If I had a MD recorder then that would be the route I take.(I had a Sharp at one time, my son whipped it and it has disappeared.)
    I already have a stereo capacitor mic, a mono shotgun and a wireless lav. So the H2 is an addition to the armoury.
    The H2 is a recorder, WAV or MP3 player, surround sound 5.1 recorder (after a fiddle with the tracks) computer USB mic and SD reader.
    I'm not claiming that it is better than MD or a Fostex but it is a very versatile pocket recorder that can support all the functions shown above. I can record directly and put the WAV file on to my computer for use directly into the NLE.
    Tlindaas asked the question for the same reason that I questioned the H2. Can I use it as a mic for my HV20 and the answer is yes.
    The versatility comes from the SD card which I can put directly into the computer. (and the fact that it is digital and does not need converting in the computer)

  11. #11

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    I didn't know about the SD or USB features! That IS excellent. Just wish the MIC wasn't surround sound.

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    About the surround/directional thing. The manual says:

    "When making a recording with the built-in
    mics of the H2, sound is not simply picked up
    from all directions. Rather, you can control the
    direction and the angle from which sound is
    picked up. [...]

    ● FRONT 90o (stereo mode)
    Sources located within a 90-degree angle on
    the front side of the unit are recorded in stereo.

    ● SURROUND 2CH (stereo mode)
    Sound from the front side and the rear side of
    the unit is recorded in 2 channels.

    ● SURROUND 4CH (4-channel mode)
    Stereo sound from the front side and stereo
    sound from the rear side of the unit is recorded
    in 4 channels.

    ● REAR 120o (stereo mode)
    Sources located within a 120-degree angle on
    the rear side of the unit are recorded in stereo."
    (p. 21-22)


    zephyrnoid, I guess your point is that 90 degrees coverage can be to wide for some recording situations, like interviews?

    Myself, I think I can live with that limitation. I will mainly use the camera for landscapes and parties/groups and as a diary travel cam. If I need to filter out a particular voice in the frame, I guess my best option is to try to put the H2 as close to the relevant person as possible. Since - in theory - there is no need for cables, the person could easily hold the unit, and I can sync the audio in post. (But I don't see myself doing a lot of this, because of the hassle.)

    But thanks for pointing out the coverage limitation. The whole point of this forum is to get more informed

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    I also plugged in my shotgun. That works OK too. Rather misses the point as I would normally plug the SG into the HV20.
    I tried the Line In with my keyboards and that works well. Great for practicing and easy to use.

    The Mic pattern is cardioid around the axis of the relevant mic, soit will pick up sound from the side.

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    Another experiment. Connected a Lavalier mic to the Mic In. Result NOTHING. Switched "Plug-in" to ON Result Amazing sounds - must be a Dynamic Mic.

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    Didn't quite understand. You mean you plugged a lavalier mic to the Mic input on the H2, and the result was silence. Then you switched on something, and got good sound? What does this has to do with dynamic or condenser mic?

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    Well my condenser mics are battery powered so supply a signal through their own amplifiers. A dynamic mic is just a coil with a diaphram, it needs an external power supply to work. H2 has a Plug-In option which supplies 2.5 volts on the Mic In socket ( dont know how)
    I switched the Plug-In to On and suddenly the Mic came alive.
    Interestingly there seemed to be more volume from the unpowered mics (with Plug-In On) than from my powered condenser mics.

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    Downloaded a CD, using Nero 8, into Folder 2 and the replay is excellent! Folder 1 for recording in WAV format and Folder 2 replaying in MP3. Fo;lder 3 - 10 still empty. This H2 is so versatile! SD cards for Christmas please.

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    Now you're talking! That's excellent. So the H2's Mic Preamp Is Good after all. More volume but are you getting more noise also?
    RE"zephyrnoid, I guess your point is that 90 degrees coverage can be to wide for some recording situations, like interviews?"
    Yes, 90º is useful for two and three person interviews not as good for one and no matter what they say in the spec sheet, we want to SEE the pickup pattern I bet there's a bunch of pickup from the back of the H2 in 90º setting UNLESS they use the other mics to cancel that undesired audio out- which would be tres cool indeed!
    I wish Samson would hurry up and send me the demo they promised!

    Quote Originally Posted by Terfyn View Post
    Well my condenser mics are battery powered so supply a signal through their own amplifiers. A dynamic mic is just a coil with a diaphram, it needs an external power supply to work. H2 has a Plug-In option which supplies 2.5 volts on the Mic In socket ( dont know how)
    I switched the Plug-In to On and suddenly the Mic came alive.
    Interestingly there seemed to be more volume from the unpowered mics (with Plug-In On) than from my powered condenser mics.

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    I feel we need to keep the H2 in perspective. What is it? A very handy recorder that can record at a decent quality suitable for dubbing on to video sound tracks. What is it not? An all embracing hi fi sound studio.
    The mic location and directions are great if the band sits in a circle around the H2. They are also good for a side by side interview. The set up is far from perfect for large orchestral recording, solo instrumental recording in a group or (my other hobby) theatre and church organ music. This is where the Tascam, Fostex or Zoom H16 come in at the amateur end.
    A simplistic set up with two mono mics feeding the mic input through a Y splitter may be interesting but I would want total control over each channel in that case.
    That being said, the H2 is still a versatile piece of kit that does exactly what is claims to do and it does it very well. i am really pleased with mine.
    In some ways it compares to the HV20. The HV20 does not claim to be a TV studio or to create Starwars epics. It is a consumer camcorder that does what it says it will do and does a brilliant job within that limitation.
    zephyrnoid have fun with your demo model.

  20. #20

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    Really enjoying it so far. I think it's less useful to videographers than to performers wanting to capture excellent quality live audio. I'd like to see a version that basically has just 45º-90º pattern and is constructed as an on-board camcorder mic. Basically like a 'recording' version of the Rode Stereo Mic with the ability to do the fancy bit-rate preferences etc. Don't you agree?

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    My H2 has been despatched and should be with me soon. I'm sure to have lots of questions... Brace yourselves...
    Sharp Shooter

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    Quote Originally Posted by zephyrnoid View Post
    Really enjoying it so far. I think it's less useful to videographers than to performers wanting to capture excellent quality live audio. I'd like to see a version that basically has just 45º-90º pattern and is constructed as an on-board camcorder mic. Basically like a 'recording' version of the Rode Stereo Mic with the ability to do the fancy bit-rate preferences etc. Don't you agree?
    It is not designed as a camcorder mic but, imagine recording an interview across a table, it is ideal.
    It also is brilliant as a voiceover mic, USB connection, and it records perfectly into Studio.
    As I said above, I also use mine as a player of CDs (IPod?) The organ at the Anglian Cathedral in Liverpool sounds fantastic with brilliant bass!

    Worley. What SD card did they supply with your H2?

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    It's a generic one branded "Thomann". But I have Viking and Verbatim ones lying around at home. I got the card because it meant I would get free postage, and because the card will be useful - if not for the H2 - in my digital camera.

    How good is the recorded sound, and how well does the H" work with external mics (eg the Rode NT3)? I read that it may not work well with external mics, but that may have been a faulty unit.
    Sharp Shooter

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    It depends on whether the mic is self powered. I found that the self powered mics have a lower volume input than the non powered mics (with plug-in power set to ON). My little Azden Lavalier (used with a wireless system normally) sounds OK.
    The recorded sound is really good IMHO. Try http://www.oreillynet.com/digitalmed...der_detai.html a blog site for the H2, you will find recordings made on the unit for comparison.

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    So an NT3 or Rode VM would sound quiet, is that right?

    I wonder if this is fixable through a firmware update...
    Sharp Shooter

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