Dodgy Nick
2008 February 4th, 06:44
I've just completed filming a musical with a small crew using 3 cameras:
Stage left: close ups
Stage right: medium shots
Front of house: wide (safety) shot
I used a Sony, Panny and my trusted HV20 on the shoot. Colour correcting the other two cams was a pain in the ****, and it made me realise how wonderful the PQ on this little cam really is, compared to the other models. Since the best shots are on the HV20, I want to use the other camera angles as little as possible. Is there a general rule on how often you should switch angles between cameras in editing? I know the 'blink of an eye' theory, but that applies to movies only, right? Also, should I use crossfades all the time, or break it up with straight cuts? How long should the crossfade be, and should their lengths all be constant?
One more question to add to this growing list: When adding lower thirds at the beginning of songs, should the lower third only be placed on top of one of the angles, or is it OK to switch camera angles while the lower third is on the screen?
This is my first commercial venture, and a friend of mine will shortly purchase an HV20/30 in order to lift the standard of our productions up a notch.
Stage left: close ups
Stage right: medium shots
Front of house: wide (safety) shot
I used a Sony, Panny and my trusted HV20 on the shoot. Colour correcting the other two cams was a pain in the ****, and it made me realise how wonderful the PQ on this little cam really is, compared to the other models. Since the best shots are on the HV20, I want to use the other camera angles as little as possible. Is there a general rule on how often you should switch angles between cameras in editing? I know the 'blink of an eye' theory, but that applies to movies only, right? Also, should I use crossfades all the time, or break it up with straight cuts? How long should the crossfade be, and should their lengths all be constant?
One more question to add to this growing list: When adding lower thirds at the beginning of songs, should the lower third only be placed on top of one of the angles, or is it OK to switch camera angles while the lower third is on the screen?
This is my first commercial venture, and a friend of mine will shortly purchase an HV20/30 in order to lift the standard of our productions up a notch.