Stuart
2007 June 6th, 19:52
I spent some time comparing three modes today, 1080p (25fps) with Cine mode, 1080p (25fps) and 1080i (50fps - interlaced). It's a PAL version of the camera.
The HV20 was on a tripod, manual focus, manual white balance (daylight) no IS, the shutter speed fixed at 1/50s with f5.6 - and I made sure the camera wasn't adding any gain and using the zebra pattern the brightest parts of the image were just under the clipping point. I used a detailed scene, a flower blowing in the wind against a busy background (leaves of a tree).
I'm viewing on a Dell widescreen monitor and an ISF calibrated Pioneer plasma via HDMI. Observations...
1] The 1080p with Cine mode is soft and lacks contrast. Nothing new here, but using the histogram in Vegas 7 I also noticed that it had hard clipped the bright areas of the image and they were over-exposed. No amount of curves or levels correction can fix that.
2] The 1080p mode without Cine mode is sharper and has more dynamic range. The whites weren't clipped and the histogram showed both shadow and highlight details.
3] To match the sharpness of the 1080p non-Cine mode footage with Cine mode engaged, I needed to add about 0.5 - 0.6 sharpening in Vegas. That's too much and it had an undesirable but predictable side-effect, noise became apparent in the image, probably in part due to compression artefacts as no gain was present. On top of that, any levels adjustment made the noise even worse and it didn't matter whether the filters were Sharpen -> Levels or the other way around.
4] The 1080i mode is all but indistinguishable from 1080p (non Cine-mode), both by eye and on the histogram, but it may be a tad brighter. It is of course, interlaced... and that leads me to...
5] A tentative one this as I haven't done any technical homework, but 1080i looks to have fewer MPEG-2 compression artefacts - in other words it produces a cleaner image - than 1080p.
I think, therefore, that I'll be avoiding the Cine mode, it seems to have too many compromises even though it can have less in-camera processing that other options. I haven't done any low-light tests, so it might come into its own there. 1080i might get the nod over 1080p provided one doesn't mind de-interlacing at some point, but it's a close run thing between it and 1080p.
Anyone echo or disagree with these observations?
The HV20 was on a tripod, manual focus, manual white balance (daylight) no IS, the shutter speed fixed at 1/50s with f5.6 - and I made sure the camera wasn't adding any gain and using the zebra pattern the brightest parts of the image were just under the clipping point. I used a detailed scene, a flower blowing in the wind against a busy background (leaves of a tree).
I'm viewing on a Dell widescreen monitor and an ISF calibrated Pioneer plasma via HDMI. Observations...
1] The 1080p with Cine mode is soft and lacks contrast. Nothing new here, but using the histogram in Vegas 7 I also noticed that it had hard clipped the bright areas of the image and they were over-exposed. No amount of curves or levels correction can fix that.
2] The 1080p mode without Cine mode is sharper and has more dynamic range. The whites weren't clipped and the histogram showed both shadow and highlight details.
3] To match the sharpness of the 1080p non-Cine mode footage with Cine mode engaged, I needed to add about 0.5 - 0.6 sharpening in Vegas. That's too much and it had an undesirable but predictable side-effect, noise became apparent in the image, probably in part due to compression artefacts as no gain was present. On top of that, any levels adjustment made the noise even worse and it didn't matter whether the filters were Sharpen -> Levels or the other way around.
4] The 1080i mode is all but indistinguishable from 1080p (non Cine-mode), both by eye and on the histogram, but it may be a tad brighter. It is of course, interlaced... and that leads me to...
5] A tentative one this as I haven't done any technical homework, but 1080i looks to have fewer MPEG-2 compression artefacts - in other words it produces a cleaner image - than 1080p.
I think, therefore, that I'll be avoiding the Cine mode, it seems to have too many compromises even though it can have less in-camera processing that other options. I haven't done any low-light tests, so it might come into its own there. 1080i might get the nod over 1080p provided one doesn't mind de-interlacing at some point, but it's a close run thing between it and 1080p.
Anyone echo or disagree with these observations?